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UID:1684@montreall.askapunk.net
SUMMARY:Bill Orcutt / Wendy Eisenberg Duo + Drainolith + Setting
DTSTAMP:20260527T200941Z
DTSTART:20260626T000000Z
DTEND:20260626T050000Z
DESCRIPTION:A co‑founder of the cult noise‑rock group Harry Pussy\, Orcutt 
	has since built a\nwidely acclaimed solo career. His work has been recogni
	zed by WIRE\, NPR\, The\nGuardian\, and Rolling Stone. Maintaining an acti
	ve international touring\nschedule and frequent collaborations with leadin
	g improvisers and experimental\nmusicians\, Bill Orcutt continues to push 
	the expressive limits of the guitar\nwith uncompromising intensity.\n\nWen
	dy Eisenberg is a key figure in contemporary independent music\, renowned 
	for\nthe multiplicity and fluidity of her practice. A singer\, improviser\
	, and\nvirtuoso guitarist\, she navigates freely between art-rock\, jazz\,
	 folk\, and\nradical improvisation\, constantly blurring the lines between
	 forms.\n\nSignificant albums such as Auto (2020) and Viewfinder (2024) at
	test to an\napproach deeply committed to risk and experimentation. Rejecti
	ng any\nspecialization\, Wendy Eisenberg champions a simultaneous practice
	 of punk\,\nimprovised\, and composed music\, making eclecticism not an ae
	sthetic choice\, but\nan artistic necessity.\n\nSetting is a North Carolin
	a Piedmont–based trio featuring Jaime Fennelly\, Nathan\nBowles and Joe We
	sterlund\, musicians known for their work with projects\nincluding Mind Ov
	er Mirrors\, Califone\, Black Twig Pickers\, Pelt\, Sylvan Esso and\nJake 
	Xerxes Fussell. Grounded in a deeply collaborative approach\, the group\nc
	reates inventive\, richly textured improvisations shaped by shared intuiti
	on and\nflow.\n\nCombining synthesizers\, cassette loops\, banjo\, keyboar
	ds\, zithers\, electronics\nand percussion\, Setting builds tactile sound 
	worlds where earthy rhythms meet\nmoments of celestial lift. Their self‑ti
	tled album on Thrill Jockey stands as a\ndefining statement of improvisati
	onal fluency paired with compositional focus\,\nharnessing the euphoria of
	 communal creation.\n\nPerhaps best known for his guitar playing in the Mo
	ntreal noise-rock band AIDS\nWolf\, Alex Moskos has been producing records
	 under the name Drainolith since\n1999. He has released countless cassette
	s\, CDRs & 7" records on various labels\nculminating in two full length al
	bums: 'Fighting\n[https://mmxrvr.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiO
	jY2OTAwMyxcImxcIjoxNTM4NDY4MjM2MDYyODk5MjYsXCJyXCI6MTUzODQ2ODQzNDc1NzU2ODE
	zfSIsInMiOiJjODk5N2NiMjVkYzVmMmE4In0]'\n(2012) on Spectrum Spools and 'Hys
	teria\n[https://mmxrvr.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiOjY2OTAwMyx
	cImxcIjoxNTM4NDY4MjM2MTA0ODQyMzMsXCJyXCI6MTUzODQ2ODQzNDc1NzU2ODEzfSIsInMiO
	iJhZGVhY2IwNDViODBmNTQ1In0]'\n(2015) on NNA Tapes.\n\nMore recently Moskos
	 has performed and recorded alongside Max Eilbacher (Horse\nLords) and Dun
	can Moore as SEF III\, and with Nate Young\, John Olson and Pulitzer\nPriz
	e winning composer Raven Chacon as The Difficult Messages Band. He has als
	o\nplayed alongside Neil Hagerty (Royal Trux)\, Charles Balas and Nate You
	ng in\nDan’l Boon (Drag City). Moskos is an amateur historian and works in
	 community\nradio at CKUT 90.3FM - Montreal’s oldest freeform radio statio
	n. He lives in\nHochelaga\, an east end neighbourhood of Montreal with art
	ist Jessica Mensch and\nBoots The Cat. 2026 Drainolith also features the a
	mazing talents of drummer\nDestiny and guitar goddess Rián Adamian.\n\n\nN
	egative Capabilities will be launching their first zine—a new print ventur
	e\ndedicated to outsider guitar and left-field acoustic sounds. Copies wil
	l be\navailable at the venue. An interview with Wendy Eisenberg in convers
	ation with\nAlex Pelchat is in this premier issue.
URL:https://montreal.askapunk.net/event/bill-orcutt-wendy-eisenberg-duo-dra
	inolith-setting
LOCATION:La Sala Rossa - 4848 St Laurent
STATUS:CONFIRMED
CATEGORIES:
X-ALT-DESC;FMTTYPE=text/html:<p>A co‑founder of the cult noise‑rock group H
	arry Pussy, Orcutt has since built a widely acclaimed solo career. His wor
	k has been recognized by <em>WIRE</em>, <em>NPR</em>, <em>The Guardian</em
	>, and <em>Rolling Stone</em>. Maintaining an active international touring
	 schedule and frequent collaborations with leading improvisers and experim
	ental musicians, Bill Orcutt continues to push the expressive limits of th
	e guitar with uncompromising intensity.</p><p><strong>Wendy Eisenberg</str
	ong> is a key figure in contemporary independent music, renowned for the m
	ultiplicity and fluidity of her practice. A singer, improviser, and virtuo
	so guitarist, she navigates freely between art-rock, jazz, folk, and radic
	al improvisation, constantly blurring the lines between forms.</p><p>Signi
	ficant albums such as Auto (2020) and Viewfinder (2024) attest to an appro
	ach deeply committed to risk and experimentation. Rejecting any specializa
	tion, Wendy Eisenberg champions a simultaneous practice of punk, improvise
	d, and composed music, making eclecticism not an aesthetic choice, but an 
	artistic necessity.</p><p><strong>Setting</strong> is a North Carolina Pie
	dmont–based trio featuring Jaime Fennelly, Nathan Bowles and Joe Westerlun
	d, musicians known for their work with projects including Mind Over Mirror
	s, Califone, Black Twig Pickers, Pelt, Sylvan Esso and Jake Xerxes Fussell
	. Grounded in a deeply collaborative approach, the group creates inventive
	, richly textured improvisations shaped by shared intuition and flow.</p><
	p>Combining synthesizers, cassette loops, banjo, keyboards, zithers, elect
	ronics and percussion, Setting builds tactile sound worlds where earthy rh
	ythms meet moments of celestial lift. Their self‑titled album on <em>Thril
	l Jockey</em> stands as a defining statement of improvisational fluency pa
	ired with compositional focus, harnessing the euphoria of communal creatio
	n.</p><p>Perhaps best known for his guitar playing in the Montreal noise-r
	ock band AIDS Wolf, Alex Moskos has been producing records under the name 
	<strong>Drainolith</strong> since 1999. He has released countless cassette
	s, CDRs &amp; 7" records on various labels culminating in two full length 
	albums: '<a href="https://mmxrvr.clicks.mlsend.com/ty/cl/eyJ2Ijoie1wiYVwiO
	jY2OTAwMyxcImxcIjoxNTM4NDY4MjM2MDYyODk5MjYsXCJyXCI6MTUzODQ2ODQzNDc1NzU2ODE
	zfSIsInMiOiJjODk5N2NiMjVkYzVmMmE4In0" target="_blank"><em>Fighting</em></a
	>' (2012) on Spectrum Spools and '<a href="https://mmxrvr.clicks.mlsend.co
	m/ty/cl/eyJ2Ijoie1wiYVwiOjY2OTAwMyxcImxcIjoxNTM4NDY4MjM2MTA0ODQyMzMsXCJyXC
	I6MTUzODQ2ODQzNDc1NzU2ODEzfSIsInMiOiJhZGVhY2IwNDViODBmNTQ1In0" target="_bl
	ank"><em>Hysteria</em></a>' (2015) on NNA Tapes.</p><p>More recently Mosko
	s has performed and recorded alongside Max Eilbacher (Horse Lords) and Dun
	can Moore as SEF III, and with Nate Young, John Olson and Pulitzer Prize w
	inning composer Raven Chacon as The Difficult Messages Band. He has also p
	layed alongside Neil Hagerty (Royal Trux), Charles Balas and Nate Young in
	 Dan’l Boon (Drag City). Moskos is an amateur historian and works in commu
	nity radio at CKUT 90.3FM - Montreal’s oldest freeform radio station. He l
	ives in Hochelaga, an east end neighbourhood of Montreal with artist Jessi
	ca Mensch and Boots The Cat. 2026 Drainolith also features the amazing tal
	ents of drummer Destiny and guitar goddess Rián Adamian.</p><p><br><strong
	>Negative Capabilities</strong> will be launching their first zine—a new p
	rint venture dedicated to outsider guitar and left-field acoustic sounds. 
	Copies will be available at the venue. An interview with Wendy Eisenberg i
	n conversation with Alex Pelchat is in this premier issue.</p>
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DESCRIPTION:Bill Orcutt / Wendy Eisenberg Duo + Drainolith + Setting
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